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Stine Linnemann
Residency:
March 1 – May 30, 2022

Stine Linnemann & I Traad Med Verden, Høje Gladsaxe Tapestry, 2018. 3 meters by 1,5 meter. Crepe wool fabric, mixed material embroidery. Telefon Fabrikken in Søborg, Denmark. Photo by Kirstine Autzen. Funded by Gladsaxe council, The Danish National Bank Foundation and Danish Handicraft Memorium Foundation.
Stine Linnemann & I Traad Med Verden, Høje Gladsaxe Tapestry, 2018. 3 meters by 1,5 meter. Crepe wool fabric, mixed material embroidery. Telefon Fabrikken in Søborg, Denmark. Photo by Kirstine Autzen. Funded by Gladsaxe council, The Danish National Bank Foundation and Danish Handicraft Memorium Foundation.
Stine Linnemann & I Traad Med Verden, Høje Gladsaxe Tapestry (detail), 2018. 3 meters by 1,5 meter. Crepe wool fabric, mixed material embroidery. Telefon Fabrikken in Søborg, Denmark. Photo by Kirstine Autzen. Funded by Gladsaxe council, The Danish National Bank Foundation and Danish Handicraft Memorium Foundation.
Stine Linnemann & I Traad Med Verden, Høje Gladsaxe Tapestry (detail), 2018. 3 meters by 1,5 meter. Crepe wool fabric, mixed material embroidery. Telefon Fabrikken in Søborg, Denmark. Photo by Kirstine Autzen. Funded by Gladsaxe council, The Danish National Bank Foundation and Danish Handicraft Memorium Foundation.
Stine Linnemann & I Traad Med Verden, Høje Gladsaxe Tapestry (detail), 2018. 3 meters by 1,5 meter. Crepe wool fabric, mixed material embroidery. Telefon Fabrikken in Søborg, Denmark. Photo by Kirstine Autzen. Funded by Gladsaxe council, The Danish National Bank Foundation and Danish Handicraft Memorium Foundation.
Stine Linnemann & I Traad Med Verden, Høje Gladsaxe Tapestry (detail), 2018. 3 meters by 1,5 meter. Crepe wool fabric, mixed material embroidery. Telefon Fabrikken in Søborg, Denmark. Photo by Kirstine Autzen. Funded by Gladsaxe council, The Danish National Bank Foundation and Danish Handicraft Memorium Foundation.
Stine Linnemann & I Traad Med Verden, Høje Gladsaxe Tapestry (detail), 2018. 3 meters by 1,5 meter. Crepe wool fabric, mixed material embroidery. Telefon Fabrikken in Søborg, Denmark. Photo by Kirstine Autzen. Funded by Gladsaxe council, The Danish National Bank Foundation and Danish Handicraft Memorium Foundation.
Stine Linnemann & I Traad Med Verden, Høje Gladsaxe Tapestry (detail), 2018. 3 meters by 1,5 meter. Crepe wool fabric, mixed material embroidery. Telefon Fabrikken in Søborg, Denmark. Photo by Kirstine Autzen. Funded by Gladsaxe council, The Danish National Bank Foundation and Danish Handicraft Memorium Foundation.
Stine Linnemann & Trine Lindegaard, Weaving NV Together, 2017. 10 meters by 3 meters. Pink polyester thread and discarded industrial textiles. Ansgar Church in Copenhagen NV, Denmark. Photo by Casper Vildrik Justesen. Funded by Fuglekvarteret and Nordvest city renewal projects and Bispebjerg Local Council, Copenhagen Municipal.
Stine Linnemann & Trine Lindegaard, Weaving NV Together, 2017. 10 meters by 3 meters. Pink polyester thread and discarded industrial textiles. Ansgar Church in Copenhagen NV, Denmark. Photo by Casper Vildrik Justesen. Funded by Fuglekvarteret and Nordvest city renewal projects and Bispebjerg Local Council, Copenhagen Municipal.
Stine Linnemann & Trine Lindegaard, Weaving NV Together, 2017. 10 meters by 3 meters. Pink polyester thread and discarded industrial textiles. Ansgar Church in Copenhagen NV, Denmark. Photo by Casper Vildrik Justesen. Funded by Fuglekvarteret and Nordvest city renewal projects and Bispebjerg Local Council, Copenhagen Municipal.
Stine Linnemann & Trine Lindegaard, Weaving NV Together, 2017. 10 meters by 3 meters. Pink polyester thread and discarded industrial textiles. Ansgar Church in Copenhagen NV, Denmark. Photo by Casper Vildrik Justesen. Funded by Fuglekvarteret and Nordvest city renewal projects and Bispebjerg Local Council, Copenhagen Municipal.
Stine Linnemann. Photo courtesy of Annette Kjaer.
Stine Linnemann. Photo courtesy of Annette Kjaer.

Stine Linnemann is an artist and activist based in Copenhagen, Denmark. Her practice includes co-created artworks seeking to uplift marginalized people through collaboration, social commentary through craft, and projects mixing art and activism within the field of both social justice and climate change. Linnemann’s work takes an interest in society and the well-being of the people and community around her.

Linnemann originally trained as a textile designer and weaver, graduating from Royal College of Art in London in 2013 and starting out her career as a freelance handweaver, working for the high-end fashion industry working for clients such as Louis Vuitton, Givenchy, Rick Owens, and many more. This affinity for the textile craft and design permeates her work in often surprising ways, as an ever present theme, throughout her many and varied projects.

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Jeny Amaya
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