Commons Lab Residency:
October 1 – 30, 2019
We Will Congregate: Platforms & Wool
Visiting artist residency | October 1-30, 2019
Exhibition | October 30-December 13, 2019
Directed Reading | Saturday, October 19, 2019 | 2-4 pm
Tongva Park | 1615 Ocean Avenue
Exhibition Reception | Wednesday, October 30, 2019 | 6 – 8 PM
18th Street Arts Center | Atrium Gallery | 1639 18th Street
Renée Petropoulos will collaborate with Oaxacan artisan Arturo Hernández on a ‘directed reading’ at Santa Monica’s Tongva Park, performed by invited members of the public in many simultaneous languages. We Will Congregate: Platforms Wool is based on handwoven rebozo blankets created by Hernández with artisans from LA’s Oaxacan community. Focused on forgotten forms of knowledge, such as the craft of weaving, that immigrants carry in their bodies, the work speaks to the challenges of translation and transliteration as well as literary traditions from the Global South and the North, and includes a sculptural and sonic installation in 18th Street’s Atrium Gallery as well as live backstrap weaving demonstrations in Clover Park and Virginia Avenue Park.
ABOUT RENÈE PETROPOULOS
She has created projects and exhibited internationally. Most recently embarking on the project Among Nations (Mostly) with a performance Analogue (2012) at the MAK Center for Art and Architecture, Los Angeles, Venice to Venice (2012) as part of the Hammer Museum’s Made in L.A. and Women in Surrealism for Los Angeles County Museum of Art. Black Star, begun in 2006, is a performance in continuum in Berlin. Her most recent installment of “Prototype for the History of Painting: Eingrouping Social Historical” was installed in MARTE San Salvador, El Salvador. Her recent film, “Two or Three Things I Know About Gas Station Mini Marts” screened at Screening, in Philadelphia. The outdoor public sculpture project “Bouquet”(Flower Tower) Between Egypt, India, Iraq, the United States, Brazil, Ethiopia, and Mexico”, situated in Santa Monica, California at a street and pedestrian intersection was completed in spring, 2014. An exhibit of related subject, “Bouquet(Flower Girl) Between Libya, the United States and Scotland”, was installed at LAMOA in Eagle Rock in May 2014. Petropoulos’ monument drawings were also included in “Forms of the Formless” at Beijing Moca, curated by Marlena Donahue. From the United States to Mexico/ From Mexico to the Untied States, was presented at Commonwealth and Council, which included a choreographed performance. She is exhibited Monument 1 – conjugation, with the Proxy Gallery in Paris in 2016. In 2016, a cd of sound work, Between Libya, the United States and Scotland, created with composer Greg Lenczycki, will be released. Two new works are scheduled for 2016, one with the Isaura String Quartet and a reading of sculpture, “Cheek by Jowl”, at Hauser Wirth Schimmel. Her project with former student, Amanda Katz was released this summer in 7 x 7 (7×7). She recently returned from Naples Italy where she has been working on a collaborative project, with Neapolitan scholar, Dr. Denise Spampinato. In 2018, she will be producing a project in conjunction with the MACO in Oaxaca, Mexico as well as being a guest artist at the Palm Springs Museum.