LACMA Art & Tech Residency:
Rashaad Newsome’s work blends several practices, including assemblage, sculpture, film, photography, music, computer programming, software engineering, community organizing, and performance, to create a new field that rejects classification. Using the diasporic traditions of improvisation, he pulls from the world of advertising, the internet, Art History, Black and Queer culture to produce counter-hegemonic work that walks the tightrope between creative computing, social practice, abstraction, and intersectionality. Assemblage acts as a theoretical, conceptual, and technical method to construct a new cultural framework of power that does not find others’ oppression necessary. Newsome’s work celebrates Black contributions to the art canon and creates innovative and inclusive forms of culture and media.
Newsome lives and works in Oakland California and New York City. He was born in 1979 in New Orleans, Louisiana, where he received a BFA in Art History at Tulane University in 2001. In 2004, he received a certificate of study in Digital Post Production from Film/Video Arts Inc. (NYC). In 2005 he studied MAX/MSP Programming at Harvestworks Digital Media Art Center (NYC). He has exhibited and performed in galleries, museums, institutions, and festivals throughout the world including The Studio Museum in Harlem (NYC), The National Museum of African American History and Culture (DC), The Whitney Museum (NYC), Brooklyn Museum (NYC), MoMAPS1 (NYC), SFMOMA (CA), New Orleans Museum of Art (LA), Centre Georges Pompidou (Paris), The Garage Center for Contemporary Culture (Moscow), and MUSA (Vienna). Rashaad Newsome’s residency was supported by LACMA’s Art + Technology Lab program.