Past Artist In Residence
This new series of work titled ‘readymade abstraction’ sees a return, after a decade, to the use of tarpaulins as the support for my paintings. The shift that has occurred also sees a less painterly approach to the work leaving instead the untouched tarpaulin to act as the ‘ground’ for my painted floating forms. What attracts me most about these used tarpaulins is the encoded history, built up over time, sometimes years, of a narrative that is literally embedded in the surface of the material. The stains, creases, faded canvas and repaired seams and tears, impossible to fabricate, become remnant reminders of lives lived and journeys undertaken.