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Palisadian Post Review of the Future of Nations

By , December 19, 2007 5:43 pm

18th Street Arts Tackles Political Issues

December 19, 2007

As part of its mission to create a forum for civic engagement through the arts, 18th Street Arts Center presents ‘The Future of Nations,’ its 2008 season of exhibitions dedicated to examining the issues related to the 2008 presidential campaign.

The series aims to address many issues that will determine the future of the country. Using the broad themes of the Constitution, demographics, environment and war, artists and curators will create a forum for the issues of our time while examining this country’s highly politicized demeanor.

‘The artists involved come from diverse political, religious, cultural and artistic backgrounds. This is not a monolithic group espousing a narrow political art agenda,’ says 18th Street Artistic Director Clayton Campbell. ‘Rather it is a group of humanists who care about the quality of life around us and feel their contributions are part of mainstream cultural and social conversations.

‘Everywhere I have been over the past three years, artists and curators have obsessively talked about the Bush administration, the Iraq war, immigration, abortion, all of the hot-button issues that directly affect our lives,’ says Campbell, who is a Palisades resident.

‘Yet not one arts organization or arts gallery was taking this on in a significant and sustained manner. There is a tremendous amount of caution and fear in the air. In response, 18th Street will provide an outlet for the unseen energy that artists have generated relative to the 2008 presidential election, and all it stands for.’

‘Patriots Acts’ and ‘The Habeas Lounge,’ curated by Linda Pollack, the first in the series, is on display through March 21.

The 18th Street Arts Center, 1639 18th Street, is an alternative contemporary art and artist residency center, supporting emerging to mid-career artists and arts organizations dedicated to issues of community, diversity, and social justice in contemporary.

Jee Un Park

By , December 12, 2007 2:53 pm

2007

Multimedia Artist

The point of departure in Park Jeeun’s work is her respect for and awe of medicine. Park jeeun seems to be indulged in the mechanism of medicine with extraordinary familiarity and enormous curiosity. Due to these aspects, Park’s work appears to be hovering between alchemy, art and medicine. Departing from the use and purpose of medicine, Park develops it from different point of view and eventually completes it as a work of the visual arts.

Eric Siu

By , December 5, 2007 1:32 pm
2007
Multi-media Artist
Eric Siu is a young new media artist based in Hong Kong. Currently, he has funded by Lee Hysan Foundation, Asian Cultural Council, being a new media research artist in the United States. His video art and multi-media works have been shown both locally and internationally including USA, Australia, Japan, Korea, Germany, and Poland, amongst others. His video short “Sliding Whites” has received an honorable mention from the WRO 05, 11th International Media Art Biennale, Wroclaw, Poland. Currently he is a represented artist of Videotage, Hong Kong and was working as a Teaching Associate at the Hong Kong Institute of Vocational Education (Kwun Tong) from 2005-2007. Eric has a broad interest in animation, video, installation and interactive art. He loves to create interesting spectacles and to transform human perception and experience to sensational levels by means of technology. He explores media in a raw and primitive perspectives.

Kieran Boland

By , November 13, 2007 11:48 am
November 13, 2007 – February 2008
Multimedia Artist
Kieran is an Australian artist based in Melbourne who makes drawings/ works on paper in conjunction with video/ films. The interests explored across the two mediums are narrative deconstruction, the politics of identity and representation, representation as manipulation or construct, and the role and place of locality within an artwork. The Face Radio Live project essentially reverses the film making process by presenting the final product (the film component) as a storyboard that encourages the audience to view the resultant drawings/ works on paper as a kind of performance or record of an activity within the studio, an activity that may also lead them to examine their own questions concerning identity, locality, representation.

Hsiao-Fang Lin

By , November 1, 2007 3:14 pm

2007

Documentary Video Artist
Hsiao-Fang Lin rethinks identity as a reflexive process of the artist.  Her temporal films and photographs explore new experiences, absorption of culture, and encounter with self.  The artist’s journey begins in hometown Taipei, Taiwan.  Using her camera as an instrument of ethnography, she documents her travel to Indonesia, and then to the United States.  The purpose of her work is to seek possible trans-cultural understanding through themes of: personal reflected in local, trans-cultural visual language, and the endless process of creating identity in relation to others.  Hsiao-Fang Lin’s work deals mainly with ethnography, immigration and other issues of Taiwan’s road towards modernization, and her documentary works have won numerous awards in Taiwan as well as abroad.

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